LIVE! #74
2 November 2025

Agenda



  • Why We're Here

  • Literary Forensics
  •     - What do I bring?
  •     - What do I feel?
  •     - What do I notice?
  •     - What do I study?

  • Next Month's Reading & Study


Why We're Here

We Writers want to improve our craft

by Reading like a Writer

through Literary Forensics

we learn from each other

Roundtable Rules

Always refer back to the book

We practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Introductions

What do I bring
to this book?

Meet today's author: Liz Moore

  • Moore grew up in a suburb of Boston, and earned a degree from Barnard College and an MFA in creative writing from Hunter College, both in New York City.
  • Both sets of grandparents were from the Adirondacks, where Moore summered. She attended camp only once, aged 12.
  • A folk guitarist, Moore fronted the Liz Moore band while in college, and she released a solo record titled Backyards in 2007. Her musical experience inspired her first novel, The Words of Every Song (2007).

  • Moore was a winner of the 2014-2015 Rome Prize in Literature.
  • Her fourth novel, the New York Times bestselling Long Bright River (2020) was a Good Morning America Book Club pick, a Barack Obama pick, and was made into a 2025 Peacock TV mini-series starring Amanda Seyfried.

  • She is currently Director of the MFA program in Creative Writing at Temple University in Philadelphia, where she lives with her husband and two children.
  • The God of the Woods (2024) is Moore's fifth novel.

"The truth can be buried, but it will always find a way to resurface.”
     —Liz Moore

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I notice?


  •    • Language and Grammar

  •    • Context

  •    • Point of view

  •    • Voice

  •    • Character development

  •    • Horizontal structure

  •    • Pacing

  •    • Layering of themes

  •    • Overall effect

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Writing The God of the Woods


  • Moore has always loved reading mysteries, beginning with Agatha Christie, and continuing to Walter Mosely, Dennis Lehane, and Tana French.
  • She is a pantser, interested in themes of found family, created communities with strangers introduced, wealth and class, and perceiving one's place in the world.
  • She needs the questions she raises to be answered not just logically but thematically. She often pauses to ask: Why am I writing this book, and why now? What feels new and important? If stuck, she sometimes retreats to the most recent fork in the road of her writing.

  • Moore began knowing only that the Van Laar’s daughter would disappear. Moore discovered the answers along with the investigators.
  • Louise's POV occurred to her first. Louise originated from a similar character in a short story, Shy, Shy, that Moore wrote 10 years earlier.
  • She keeps running chronology of birth, death, key life events to help as she jumps around in time.
  • Started using Scrivener, but retreated to Word when Scrivener messed up all of her formatting.

  • Alice's story was the key to unlocking end of the novel—the "first domino" leading to the ending that replaced many other logically satisfying endings which lacked emotional or thematic resonance.
  • Hardest beat to write? How TJ & Barbara framed John Paul McClellan.

Stats & Background

  • Marketing: Mystery, Thriller & Suspense Literary Fiction (#1); Psychological Fiction (#5); Historical Literary Fiction (#7); Mysteries (#8); Psychological Thrillers; Literary Fiction
  • Genre: Realistic Historical Long-Form Archplot
  • Print Pages: 496; Word count: 129,478
    Reading Grade: 6th; Avg. wds/sent.: 9.64
    Lexical Density: 48.32; Flesch Reading Ease: 77.97

  • POV: multiple; Person: 3rd; Tense: Past

  • Publish date: July 2, 2024
  • Publisher: Riverhead Books
  • Audio book length: (14 hours, 35 mins)
  • Narrator: Saskia Maarleveld

  • Recognition: NYT: Best Seller, Notable Book of 2024, Best Thriller of 2024, Best Crime Novel of 2024; People Magazine's #1 book of the year; an NPR "Books We Love" 2024; Time magazine's must-read 100 books of 2024

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

January 2026

Listen to our podcast: Writers Who Read

Latest: Margo's Got Money Troubles by Rufi Thorpe

WritersWhoRead.com/LIVE

December 7: We Solve Murders - Richard Osman (UK, 2024)
2026 Books - Coming Soon!

Thanks to: Boulder Writers Alliance

Contact Gary: gary@WritersWhoRead.com
Literary Forensics Resources

Happy
Sleuthing!