LIVE! #72
7 September 2025

Agenda



  • Why We're Here

  • Literary Forensics
  •     - What do I bring?
  •     - What do I feel?
  •     - What do I notice?
  •     - What do I study?

  • Next Month's Reading & Study


Why We're Here

We Writers want to improve our craft

by Reading like a Writer

through Literary Forensics

we learn from each other

Roundtable Rules

Always refer back to the book

We practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Introductions

What do I bring
to this book?

Meet today's author: Rachel Khong

  • Born in Malaysia to Chinese-Malay parents, Khong's family moved to Southern California at age 2.
  • Wrote her first story about a goldfish at age 6.
  • English degree from Yale, MFA from University of Florida.

  • Managing Editor of Lucky Peach magazine, and founder of The Ruby, a co-working and social space for women, non-binary authors, and artists in San Francisco's Mission District.
  • Author of two novels: Goodbye, Vitamin (2017), and Real Americans (2024).
  • Lives in LA with her spouse, Eli Horowitz.

  • "I write first thing in the morning, with a single cup of black coffee. Usually I’ll set a timer for one hour and work without internet or distraction. I try to hit a target of at least 1,000 words per day, though sometimes it’s much more and sometimes it’s much less. If I’ve written even a few words, I count it a success. I feel worst on the days I don’t write at all, so I try to avoid that feeling whenever possible."

"Whenever I start a book, I’m trying to do something that I don’t really know I can do.”
     —Rachel Khong

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I notice?


  •    • Language and Grammar

  •    • Context

  •    • Point of view

  •    • Voice

  •    • Character development

  •    • Horizontal structure

  •    • Pacing

  •    • Layering of themes

  •    • Overall effect

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Writing Real Americans


  • Started writing Lily's section in December, 2016, thinking it would be a short story.
  • In the aftermath of the election, Khong was thinking about identity and power and what it meant to be an American, what it meant to belong somewhere, and so she put those things into her book.

  • It was always going to be about genetics, with genetic scientists.
  • The "time stopages" were always in the text, but she couldn't explain them scientifically. So why not make them magic?, she realized.
  • She wrote the 2021 section before the pandemic, so she had to rework it slightly.
  • Wrote while listening to instrumental music: The Phantom Thread soundtrack on repeat.

  • Major themes include forgiveness, understanding, and acceptance.
  • "You are not nothing."

  • Khong does not outline; she wants to discover her story along the way, as readers do.
  • Interest in Real Americans was so high that in 2022 it sparked a 17-way bidding war between major publishers.
  • John Freeman, executive editor at Knopf, met up with a vacationing Khong in Istanbul to seal the deal. Freeman offered to be Khong's "longtime editor, snowplow, hurricane lamp, map holder and in-house fire starter."

Stats & Background

  • Marketing: Asian American & Pacific Islander Literature, Cultural Heritage Fiction, Family Life Fiction
  • Genre: Realistic Long-Form Archplot
  • Print Pages: 416; Word count: 128,454
    Reading Grade: 7th; Avg. wds/sent.: 10.56
    Lexical Density: 47.04; Flesch Reading Ease: 74.85

  • POV: Lily, Nick, May; Person: 3rd; Tense: Past

  • Publish date: April 30, 2024
  • Publisher: Knopf (Borzoi)
  • Audio book length: (14 hours, 40 mins)
  • Narrators: Louisa Zhu, Eric Yang, Eunice Wong

  • Recognition: New York Times bestseller, Read with Jenna bookclub pick

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

January 2026

Listen to our podcast: Writers Who Read

Latest: Margo's Got Money Troubles by Rufi Thorpe

WritersWhoRead.com/LIVE

October 5: All Fours - Miranda July (USA, 2024)
November 2: The God of the Woods - Liz Moore (USA, 2024)
December 7: We Solve Murders - Richard Osman (UK, 2024)

WwR @ RMFW Saturday, Sept 27

- Literary Forensics Overview Workshop (1 hour)
- Reading Games Workshop (1 hour)
- Harness the Power of Causation Panel (1 hour)

Thanks to: Boulder Writers Alliance

Contact Gary: gary@WritersWhoRead.com
Literary Forensics Resources

Happy
Sleuthing!