LIVE! #60
5 May 2024

Agenda



  • Why We're Here

  • Literary Forensics
  •     - What do I bring?
  •     - What do I feel?
  •     - What do I notice?
  •     - What do I study?

  • Next Month's Reading & Study


Why We're Here

We Writers want to improve our craft

by Reading like a Writer

through Literary Forensics training

we learn from each other

Roundtable Rules

Always refer back to the book

We practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Introductions

What do I bring
to this book?

Meet today's author: Rebecca F. Kuang

  • Born in Guangzhou, China, in May, 1996, Kuang emigrated to Dallas at age 4 and grew up in Texas, attending private elementary and high schools.
  • She holds a degree in history from Georgetown University's School of Foreign Service, and two masters degrees in Chinese studies from Magdalene College, Cambridge, and University College, Oxford.
  • Kuang has also worked as a debate coach in China and in Colorado.
  • She currently lives in Boston and is working towards her PhD in East Asian Languages and Literatures at Yale.

  • Kuang graduated from the Odyssey Writing Workshop in 2016 and attended the CSSF Novel Writing Workshop in 2017.
  • She is the author of 5 published novels:
  • - The Poppy War trilogy (2018, 2019, 2020)
  • - Babel (2021)
  • - Yellowface (2023)

  • Kuang is working on novel #6: Katabasis, and two additional books to be published by HarperCollins.
  • She is a #1 New York Times bestselling and Hugo, Nebula, Locus, and World Fantasy Award nominated author.

"If I'm not writing then I don't feel right;
I feel extremely unsatisfied."
     - Rebecca F. Kuang

"I get bored really easily. I’m never going to write a project in the same genre twice, because there are just too many forms of storytelling that I want to experiment with, and not enough years in my life."
     - Rebecca F. Kuang

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I notice?


  •    • Language and Grammar

  •    • Context

  •    • Point of view

  •    • Character & character development

  •    • Pacing

  •    • Horizontal structure

  •    • Layering of themes

  •    • Overall effect

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Writing Yellowface

  • Kuang wrote Yellowface in early- mid-2021, when she and her fiancé lived in Florida, under COVID lockdown, away from family and friends, "caged" only with access to social media.
  • The idea "sprung from her brain like Athena from the forehead of Zeus", while thinking about diversity and representation within the publishing industry.
  • She wrote the first draft over the course of a few months, taking inspiration from her own experiences as an Asian American author, such as being told her appeal is largely or entirely due to her being a "token" author.
  • She usually refuses to show early drafts to anyone.

  • Upon reading parts of her story, Kuang's literary agent attempted to dissuade Kuang from pursuing it further, concerned it could be seen as an attack on the publishing industry.
  • Kuang completed the manuscript and it was ultimately published by HarperCollins.

  • Barnes & Noble special edition includes an essay by Kuang titled “Asian American Literary Identity and Representation: A Personal Tour of the Field”.

  • From Strombo's Lit podcast:
    "It's an Internet book from the era where all we had was Internet" - R F Kuang

Stats & Background

  • Marketing: Asian American Literature & Fiction, Cultural Heritage Fiction, Literary Fiction, Mystery, Thriller & Suspense Literary Fiction, Satirical Literature & Fiction
  • Genre: Realistic Modern-Day Long-Form Archplot
  • Print Pages: 336; Word count: 91,790
    Reading Grade: 8th; Avg. wds/sent.: 12.78
    Lexical Density: 48.67; Flesch Reading Ease: 71.84

  • POV: June Hayward; Person: 1st; Tense: Present

  • Publish date: May 16, 2023
  • Publisher: William Morrow - HarperCollins
  • Audio book length: (8 hours 39 mins); Narr. Helen Laser

  • 2023 Awards: Foyles Books of the Year for Fiction, Goodreads Choice Award for Fiction, Libby Book Award for Best Book Club Pick, New England Book Award for Fiction,
  • Recognition: Reese's Book Club Pick, New York Times 100 Notable Books of 2023, Amazon Best Book of 2023, Libro.fm top 10 audiobooks, Time 100 Must-Read Books of 2023




Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Next Podcast, May 26
Birnam Wood - Eleanor Catton

WritersWhoRead.com/LIVE

June 2: Mr. Texas - Lawrence Wright (USA, 2023)
SUMMER BREAK
September 1: Fourth Wing - Rebecca Yarros (USA, 2023)
October 6: Tom Lake - Ann Patchett (USA, 2023)
November 3: Holly - Stephen King (USA, 2023)
December 1: Let Us Descend - Jesmyn Ward (USA, 2023)

Thanks to: Boulder Writers Alliance

Contact Gary: hello@garyalanmcbride.com
Literary Forensics Resources

Happy
Sleuthing!