LIVE! #47
5 February 2023

Agenda



  • Why We're Here / Roundtable Rules

  • Introduction to Literary Forensics

  • Group Discussion

  • Further Study


Why We're Here

We writers want to improve our craft
by reading like a writer

We learn from each other
using Literary Forensics

Roundtable Rules

Always refer back to the book

Practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Reading Teaches Writing

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Introductions

What do you bring
to this book?

Meet today's author: Jessica Au

  • Lives in Melbourne, Australia

  • Her first novel, Cargo, was published by Picador in 2011
  • From that won Kathleen Mitchell Award for a writer under 30

  • Former deputy editor of quarterly journal Meanjin
  • Currently a fact-checker for Aeon magazine

  •  

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

What do you feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

What do you notice?

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Ekphrasis

  • The written description of a work of art produced as a rhetorical or literary exercise

  •  

Writing Cold Enough for Snow

  • Arose from Au's then 10-year-old short story about mother and daughter vacationing in Tokyo
  • Primary story is the tension between mother and daughter
  • Topics: Colonialism, Migration
  • Themes: Perception, Memory, Differing Worldviews, Ekphrasis

  • Written in 3 acts

  • Three ways to read the book:
  • - Literal journey
  • - Recounted from memory
  • - Wishful thinking


  • Interview here
  •  

Stats & Background

  • Marketing: Urban Fiction, City Life Fiction, Mothers & Children Fiction, Women's Domestic Life Fiction, Family Life Fiction
  • Genre: Realistic Modern-Day Arch-Plot Medium-Form
  • Print Pages: 144; Word count: 30,498
  • Reading Grade: 11th; Avg. wds/sent.: 23.64
  • Lexical Density: 40.22; Flesch Reading Ease: 66.26

  • POV: Unnamed narrator; Person: Close 3rd; Tense: Past

  • Publish date: February 15, 2022
  • Publisher: New Directions
  • Audio book narr.: Angela Lin (3 hours 10 minutes)
  • Prizes: Inaugural Novel Prize (2022), 2023 Victorian Premier's Prize for Literature, 2023 Victorian Premier's Prize for Fiction
  • Translated: Into 15 languages
  •  

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Listen to our podcast: Writers Who Read

Attend our next meeting in person or online

Literary Forensics
Available worldwide at your local bookstore
Bookshop.org, Barnes & Noble, and on your Kindle

Thanks to: Boulder Writers Alliance

Contact Gary: gary@WritersWhoRead.com
Additional Literary Forensics Resources

Happy Reading
and
Happy Writing!