LIVE! #47
5 February 2023

Agenda



  • Why We're Here

  • Literary Forensics
  •     - What do I bring?
  •     - What do I feel?
  •     - What do I notice?
  •     - What do I study?

  • Next Month's Reading & Study


Why We're Here

We Writers want to improve our craft

by Reading like a Writer

through Literary Forensics training

we learn from each other

Roundtable Rules

Always refer back to the book

We practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Introductions

What do I bring
to this book?

Meet today's author: Jessica Au

  • Lives in Melbourne, Australia

  • Her first novel, Cargo, was published by Picador in 2011
  • From that won Kathleen Mitchell Award for a writer under 30

  • Former deputy editor of quarterly journal Meanjin
  • Currently a fact-checker for Aeon magazine

  •  

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

What do I notice?


  •    • Language and Grammar

  •    • Context

  •    • Point of view

  •    • Character & character development

  •    • Pacing

  •    • Horizontal structure

  •    • Layering of themes

  •    • Overall effect

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Ekphrasis

  • The written description of a work of art produced as a rhetorical or literary exercise

  •  

Writing Cold Enough for Snow

  • Arose from Au's then 10-year-old short story about mother and daughter vacationing in Tokyo
  • Primary story is the tension between mother and daughter
  • Topics: Colonialism, Migration
  • Themes: Perception, Memory, Differing Worldviews, Ekphrasis

  • Written in 3 acts

  • Three ways to read the book:
  • - Literal journey
  • - Recounted from memory
  • - Wishful thinking


  • Interview here
  •  

Stats & Background

  • Marketing: Urban Fiction, City Life Fiction, Mothers & Children Fiction, Women's Domestic Life Fiction, Family Life Fiction
  • Genre: Realistic Modern-Day Arch-Plot Medium-Form
  • Print Pages: 144; Word count: 30,498
  • Reading Grade: 11th; Avg. wds/sent.: 23.64
  • Lexical Density: 40.22; Flesch Reading Ease: 66.26

  • POV: Unnamed narrator; Person: Close 3rd; Tense: Past

  • Publish date: February 15, 2022
  • Publisher: New Directions
  • Audio book narr.: Angela Lin (3 hours 10 minutes)
  • Prizes: Inaugural Novel Prize (2022), 2023 Victorian Premier's Prize for Literature, 2023 Victorian Premier's Prize for Fiction
  • Translated: Into 15 languages
  •  

Literary Forensics

 

What do I bring?

What do I feel?

What do I notice?

What do I study?

Writers Who Read: Up Next

March 5: Winter Work – Dan Fesperman (USA, 2022)

Required reading: I Figured it Out


Writers Who Read: Coming Up

April 2: The Candy House – Jennifer Egan (USA, 2022)
May 7: Sea of Tranquility – Emily St. John Mandel (USA, 2022)
June 4: The Passenger – Cormac McCarthy (USA, 2022)
- Summer Break -
September 3: Stella Maris – Cormac McCarthy (USA, 2022)
October 1: Avalon – Nell Zink (USA, 2022)

Thanks to: Boulder Writers Alliance

Contact Gary: hello@garyalanmcbride.com
Literary Forensics Resources

Happy
Sleuthing!