LIVE! #35
7 November 2021

Agenda



  • Why We're Here / Roundtable Rules

  • Introduction to Literary Forensics

  • Group Discussion

  • Further Study


Why We're Here

We writers want to improve our craft
by reading like a writer

We learn from each other
using Literary Forensics

Roundtable Rules

Always refer back to the book

Practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Reading Teaches Writing

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Introductions

What do you bring
to this book?

Today's author: Martin Amis

  • Born: 1949; Educated: Oxford; Lives: Brooklyn

  • 15 Novels
  • 7 Story Collections
  • 2 Screenplays
  • 8 Non-fiction works

  • Kingsley/Martin - Father/Son writers very rare (exception: Alexandre Dumas)

  • Amis on Art Novel vs. Life Novel
  • - DH Lawrence started writing about real people
    - Saul Bellow did it best?
  • "Life writing is an unsatisfying genre"
  • "Writing fiction in my definition is freedom; once you confine yourself to your own life,
    then there's a horrible restriction on your freedom."

"The novel is not a cri de coeur,
but a mea culpa"
- Martin Amis

"Because novels come from long-marinated and unregarded anxiety, from silent anxiety..."
- Inside Story: I. Ethics and Morals

"The book in your hands calls itself a novel
– and it is a novel, I maintain."
             Martin Amis, Inside Story

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

What do you feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

What do you notice?

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Inside Story - Stats

  • Marketing: Dark Humor, Comedic Dramas & Plays, Biographical Fiction
  • Genre: Realistic Modern-Day Archplot Long-Form
  • Print Pages: 560
  • Word count: 196,401; Avg. wds/sent.: 14.31
  • Reading Level: Grade 9; Lexical Density: 48.77
  • Flesch Reading Ease: 67.12

  • POV: Martin; 1st & 3rd person

  • Publish date: October 27, 2020
  • Publisher: Knopf
  • Sold By: Penguin / Random House
  • Audio book narr.: Alex Jennings (23 hrs)

  • It's a narrative . . .

    No, it's an instructional manual . . .

    Wait, it's both!



Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Listen to our podcast: Writers Who Read

Attend our next meeting in person or online

Literary Forensics
Available worldwide at your local bookstore
Bookshop.org, Barnes & Noble, and on your Kindle

Thanks to: Boulder Writers Alliance

Contact Gary: gary@WritersWhoRead.com
Additional Literary Forensics Resources

Happy Reading
and
Happy Writing!