LIVE! #5
5 December 2018

Agenda



  • Why We're Here / Roundtable Rules

  • Introduction to Literary Forensics

  • Group Discussion

  • Further Study


Why We're Here

We writers want to improve our craft
by reading like a writer

We learn from each other
using Literary Forensics

Roundtable Rules

Always refer back to the book

Practice active listening & serendipity

Every feeling and observation is valid...
but not every conclusion

Always refer back to the book

Reading Teaches Writing

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Introductions

What do you bring
to this book?

Meet today's author: Lisa Halliday


  • Graduated from Harvard in 1998
  • She worked at Wylie Agency as an Assistant Literary Agent
  • Wylie represented Philip Roth

  • Short story published in The Paris Review in 2005
  • Left Wylie in 2006 to focus on fiction
  • Won a 2017 Whiting Award for Fiction

  • Currently a freelance editor and translator in Milan


Literary Forensics

 

What you bring

What you feel

What you notice

What you study

What do you feel?

What in the book elicited that feeling?

Every feeling and observation is valid...
but every conclusion should be questioned

We practice serendipity
- nothing is too crazy

Always refer back to the book

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

What do you notice?

Two Alices

Some themes

  • Epigraphs
  • I - Folly: "We all live slapstick lives, under an inexplicable sentence of death . . ." - Martin Gardiner, The Annotated Alice
  • II - Madness: "Our ideas about the war were the war" - Will Mackin, Kattekoppen, The New Yorker, March 11, 2013


  • Asymmetries
    • Personal Relationships
    • Political
    • Literary / Structural
    • Perceptual

  • Blurred boundaries between Fiction and Reality
    • Perception - The Looking Glass
    • Artistic Ability
    • Swim Lanes


  • How a Roman à Clef could go horribly wrong
    • Humorless, Pretentious
    • Stilted, unnatural dialog
    • Unsubtile
    • Un-lyrical, un-musical

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Asymmetry - Stats

  • Marketing: Literary, Coming of Age, Psychological
  • Genre: Realistic Present-Day, Rounded-Binary Form
  • Word count: 81,283
  • Print Pages: 305

  • Tense: Past
  • POV: I-Alice; II-Amar; III-Transcript

  • Publish date: February 6, 2018
  • Publisher: Simon & Schuster
  • Asymmetry
  • Subject of 8-way auction for both Asymmetry and her 2nd novel
  • Philip Roth called Asymmetry "a considerable achievement"


  • Novel #2
    • Set partly in Italy, it explores how conspiracy theories take hold
    • Theme: blurred boundaries between fiction and reality

Rounded-Binary Form...(A-B-A)

Rounded Binary Form (A-B-A)

Word Cloud

Literary Forensics

 

What you bring

What you feel

What you notice

What you study

Listen to our podcast: Writers Who Read

Attend our next meeting in person or online

Literary Forensics
Available worldwide at your local bookstore
Bookshop.org, Barnes & Noble, and on your Kindle

Thanks to: Boulder Writers Alliance

Contact Gary: gary@WritersWhoRead.com
Additional Literary Forensics Resources

Happy Reading
and
Happy Writing!